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Objects of Curiosity I

This extract shows the end of the largest section of 'affections' (marked with spirit and edge) and section J of the 'objects'. The double bass part added into this version for string orchestra composed originally for string quartet has a truly independent voice. This demonstrates one of the advantages of working with computer assisted composition: the composer can recover every stage of the original creative process and remodel material accordingly for an expanded ensemble.

Study Score [pdf]
2007 performance by the Ten Tors Orchestra [mp3]
Reference Recording [mp3]


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Nigel Morgan, Prudential Buildings, 55 Westgate, Wakefield, West Yorkshire, WF1 1BW, United Kingdom Tel: 01924 383017 e-mail: tonalitysystems@mac.com

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